Related Publications

*In production: As if […] wearing anklesocks for Sarah Browne’s Buttercup (2024).

“‘A Cognitive Listening’: Attending to Captioning via the Critical ‘Unvoiceover.’” Angelaki 28.6 (2023), pp.20–49.

Me mouth noise/Fox ears twitch: on Charlie Prodger’s voice (secession Vienna/Koënig, 2023)

In which Decibella escapes audition, Bricks from the Kiln #6 (March 2023) Text + Audio

slow emergency siren, ongoing: Accessing Handsworth Songs, ed. (LUX, 2022) Large-Print Book and Website

Helio-a-go-go: on Dennis McNulty’s ‘I Reached Inside Myself Through Time’, IMMA Magazine (August 2022)

On Access Via Versioning, Wysing Broadcast (September 2021) Text + Audio formats

Teacher Voice Treatment: Lecture 3, SPAM Plaza (August 2021) Text + Audio formats

Teacher Voice Treatment: Lecture 2, SPAM Plaza (July 2021) Text + Audio formats

Teacher Voice Treatment: Lecture 1, SPAM Plaza (June 2021) Text + Audio formats

Caps on / Caps off: Receiving Jenny Brady’s Receiver, Lux New Artist Focus (March 2021)

On Nancy Holt’s ‘Stone Ruin Tour I’, in Art after Nature: Thinking Nancy Holt and Robert Smithson, ed. Liza le Feuvre (Minneapolis: University of Minnesota Press, forthcoming)

Nancy Holt’s Zeroing In, Holt/Smithson Foundation: Scholarly Texts Series (October 2020)

Liquid Citizenship, Liquid Voice and Sensorial Sovereignty, b2o: boundary 2 online 5:2 Frictionless Sovereignty Special issue (August 2020)

When Attitudes Become Platitudes, Live in the Cloud: Dematerialization in the Work of Christopher Kulendran Thomas, Cultural Politics 16:2 (July 2020) 192-213. doi: 10.1215/17432197-8233392

 Emma Wolukau-Wanambwa: Voiced and Unvoiced, Lux New Artist Focus (June 2020)

‘You won't be able to rewind but only go forward’: Laure Prouvost's AM-BIG-YOU-US LEGSICON” Paper Visual Art 11 (December 2019)

Texts for #WIP exhibition (15 Oct ’20-15 Jan ’21)

Larry Achiampong’s Relic 1 (2017)

Naeem Mohaiemen’s Der Weisse Engel (2011)

Sam Keogh’s Taken Out Of/ Put Into Oscar’s Bin (2013)

Sophie Seita’s Vulva's School: A F*cking Didactic Take on Experimental Feminist Performance Art, or, How to Read (2020)

Patrick Staff’s The Prince of Homburg (2019)

More anon….for other publications, see Sarah Hayden